Like Father, Like Son – A Short Story (Horror)

I was challenged to write a horror story a month ago, about the things that sadden, disgust, and disturb me. I don’t write horror. It may sound silly, but I hold to the belief that what we think about makes up who we are. I don’t want to ponder the things that break my heart, […]

Using Dream Analysis to Develop Your Fictional Characters

Have you ever been chased by someone in your dreams? Been naked in public? Flown like a bird around a city? Or just felt utterly lost in a maze-like building? There are twelve basic dream patterns that all of us dream, regardless of who we are, what we do or where we live. An in-depth […]

Boiling Down Story – Creating a Pitch

As a competing mentee in this year’s Pitch Wars, I’ve been working on formulating a pitch. It would seem that, having dreamed up, outlined, and written an entire novel (and I won’t even go into the number of revisions I’ve done) that I should be able to write a sentence or two about what the novel […]

Is a Writer’s Retreat for you?

When was the last time you walked through a meadow? Not a cut-lawn city park expanse, or your own back yard just before mowing, but an honest-to-goodness meadow? Last weekend I attended an intimate writer’s retreat at Prue’s House at Hilltop Park on Bainbridge Island, WA, led by author Margaret Nevinski. The drive up wound […]

Clothes The Door: a Short Story

And I can’t begin to fathom the breadth of income necessary to earn the audacity of designating oneself a philosopher in this century, but I’m pretty sure we aren’t shopping in the same stores.

Character Outline: Portraying Realistic Teenager Fears

Here are Jude Bijou’s seven highly effective techniques to help writers identify fear-causing triggers for students and aggravate those fears to cause serious anxiety before the final act–and how to help your protagonist let go of those fears, and arc into a realized theme goal.

How to Use an Unreliable Narrator in Your Story

In general, even people who commit the worst crimes do not go around thinking of themselves as monsters; they justify their actions to themselves. In Lolita, Vladimir Nabakov signals Humbert Humbert’s unreliability to the reader in a number of ways such as his outrageous claims, his endless justifications for shocking acts and his contempt for others.

POV shift: I moved to an island.

A month ago, my family moved from Orange County’s endless summer to a small(ish) island off the coast of the Pacific Northwest. It’s the beginning of summer, and the weather has been sunny and warm, so climate-wise, not much of a shift. But that’s only the climate. Every other aspect of our lives has changed; (one […]