amping the sexual tension

Today’s topic…sexual tension. From YA all the way to the steamiest of
romances, this is a vital ingredient if you have any kind of romance thread
whatsoever. Even if a kiss never happens, you can have you’re reader sweating
through the will they/won’t they tension so bad that even if the characters grab
each others hands you’re holding your breath.

Romance writers are known
for this talent, but YA is also a fabulous genre that does this well. The
Mortal Instruments series by Cassandra Clare is a good example. The
tension between Jace and Clary is palpable. Sexual tension is also a huge part
of the appeal of Twilight. Each are so aware of each other, but a mere
touch or kiss could cause Edward to lose control. And of course, in tv shows,
this is the workhorse. Dawson’s Creek (pic above) held me for all seven (?)
seasons with their use of sexual tension. Oh how I love Joey and Pacey, but I

So how do we create this tension so that when you finally give your reader
the big payoff–the kiss, the I love you, the bom-chicka-wah-wah, whatever is
right for your story, you have your reader cheering.
To build tension:
Make the attraction that each feels for the other obvious to the
–The characters are hyper aware of all the little details of the person
when he/she is around. Use all the senses not just sight.
No conflict=no tension
–Make sure there are good reasons why these two can’t be
together–internal and external. Bella and Edward can’t get together because,
well, he may kill her.
Use internal dialogue
–The hero may be clenching his hands at his sides, but tell us why. The
urge to reach out and touch the heroine’s hair is overwhelming him.
Always on each other’s mind
–If your hero and heroine aren’t together in a scene, then have their
thoughts go to the other so that we know he/she can’t get the other off his/her
Patience, grasshopper
–Don’t relieve the tension too quickly. Frustration must build and build.
There’s a reason why the first love scene doesn’t usually happen until 2/3 the
way through a book.
Here we go, wait, not so fast
–Give you characters a taste of what they could have, then make them stop.
This is the famous device on sitcoms where they start to kiss, but then someone
burst in to interrupt. It doesn’t have to be that obvious. One of the characters
could be the one to stop (usually for some internal reason related to the
conflict between them.)
It’s addictive
–Once you do let the two get together the first time (be that a kiss or
full out lovin’), leave them wanting more. Instead of satisfying their
need/curiosity/etc., they want each other even more. Now they know what they
could have if not for all that pesky conflict. Damn those mean authors who put
so much in their way.
When all looks like it’s going to work out, pull them apart
–Romantic comedy movies do this all the time. The characters seem to
resolve some conflict and get together. Oh but wait, there’s more! Some conflict
wedges between them again.
–Don’t resolve the relationship until very near the end. Otherwise, the
reader will lose interest.
So how about you? Does your novel have a romance or undercurrent of one?
What author do you read that is a master at creating sexual tension? (I love
Charlaine Harris for this. I wait with bated breath for my Eric and Sookie

Dallas, TXRomance writer, mom, and book junkie. My debut
novel, CRASH INTO YOU, will be published by Berkley Heat in January 2012!
*********************************** Represented by the fabulous Sara Megibow of
the Nelson Literary Agency. ************************************ Need to know
more? Visit my website.