Putting calls to action in the back of your book is a form of passive marketing that will help you to sell more books. You only need to set up these calls to action once and you’re done–but they will continue working to help you to sell books.
Here are 13 applicable observations Ellis Shuman has made, his deduction of the formula required to create a Dan Brown-like thriller that will captivate readers:
Snyder breaks down the three-act structure into manageable sections, each with a specific goal for the overall plot goal.
Writing “well” should be good enough. Good enough to score an agent and a publishing contract. Good enough to entice a potential reader to move past page one, and keep reading, breaking only for food and the uncontrollable urge to refer your book to everyone with an inbox. Author and mighty story expert and deconstructrix […]
Often I think I’m illuminating my reader, when merely I’ve employed “qualifiers”—See below why qualifying is akin to spoon-feeding the reader.
Great books are filled with conflict, and great characters who learn important lessons. Writer and all-around-funny Jenny Hansen’s clever tips for Dirty Fighting Techniques can be applied to your main character’s friend, family member or a significant other…whoever he or she is in conflict. Hansen asserts, “Every entry on the Dirty Fighting List is guaranteed […]
Once upon a time, completing your manuscript was the hard part. Eventually, “The End” is behind you; with the thoughtful critique of your circle of writing partners, it is buffed and shammied to a high sheen, primped to enter a tournament of queries. The ultimate prize: publication. Literary agent Jennifer Laughran recently spelled out some […]
I have a feeling I would like Paul Dorset, were we to meet. Well organized, typo-free, and to the point, Dorset writes prolifically, and not just books. His blog Utterances of an Overcrowded Mind offers concise, valuable posts about the craft of writing, yet for all his laser-focus, the banner image for his headline is a complete departure: […]
r am I jaded? More often than I care to admit, a book’s finely crafted opening pages evoke lovestruck stars in my eyes, much as one too many nervous cocktails over tentative introductions.
When you make friends with the red pen pointing out weak story points, redundancy or grammar errors, you give yourself the opportunity to grow as a writer and refine your final product. But is the job of the red pen wielder easier than that of the writer?